Instant distant dirge,
a healing funnel of mud and death,
its kiss splattered all over the ground.
A spacious vacuum absorbs the
flagellate, the pustule morsel streaking
into bloody oblivion with the plaque
and dead skin. Walking wounded,
the earthworms schleps its way home.
The shards leave lei lines along the floor
that eat into its skin. The nails dig deep.
The hands are greedy, jealous,
and mad. The earth is mined and
smeared. Muzzled, with no love
and no chance of mercy,
it suffocates behind its own voice,
a shrilling shriek, a weaseled
murmuring of the depth
it lacks. To help it, to
stop the beast that rides its back,
and strangles it of the life it desires,
to backfire evil on evil with prissy
temper tantrums the lazy and
over privileged mock,
to assist it in its demise,
the stately demon sits on the bed,
a diplomat to degeneracy
and cheap prostitutes everywhere
pimped, sold, and used
by this otherwise slick and
“Black Orpheus: Mark of the Iceman” is written by Michael Aaron Casares. All rights reserved.